Best Notes for English Honours under Calcutta University for 2023 Examination

Saturday, 10 December 2016

C.U. English Honours PART-II Question Paper 2016 [Third Paper]

For the First Time On Internet you are going to get all the question papers for C.U. English Honours Course on a website. We have designed a remarkable product for the Calcutta University English Honours students called Wise Notes and it brings a wide number of answers to the questions usually asked in the Calcutta University examinations. Don't forget to scroll down to know more about the Wise Notes.



2016
ENGLISH-HONOURS
Third Paper
Full Marks-100
The figures in the margin indicate full marks.
Candidates are required to give their answers in their own words as far as practicable.
Group-A
(Word Limit 600 words for Question No.1 and 2)
1. (a) Show how the relationship between King Edward II and Queen Isabella determines the movement of Marlowe’s play Edward II.                                                                                                              16
Or
(b) Write a critical commentary on the murder scene (Act V, Sc. V) in Edward II.                     
2. (a)Critically examine Shakespeare’s use of the ‘real world’ and the ‘dream world’ in A Midsummer Night’s Dream.                       16
Or
(b) Analyse the significance of the role of Puck n Shakespeare’s A Midsummer Night’s Dream.
3. Explain any one of the following with reference to the context. (Word Limit 300 words)         8x1
a)      Sweet prince, I come; these, these thy amorous lines
Might have enforc’d me to have swum from France,
And, like Leander, gasp’d upon the sand,
So thou would’st smile, and take me in thine arms.
Or
b)      The lunatic, the lover and the poet
Are of imagination all compact.
Group-B
4. Write on any two of the following literary terms within 200 words each:          5x2
Anagnorisis, Chorus, Denouement, Three Unities. 



 Group-C

(Word Limit 600 words for Question No.5 and 6)
5. (a) Do you agree with the view that Sheridan’s The Rivals is, simply, a comedy of character, not a comedy of plot? Give reasons for your answer.                                             16
Or                                                                                                            
(b) Examine the significance of the Faulkland-Julia episode in The Rivals.

6. (a) Macbeth is transformed from tyrant into a tragic hero by the end of the play. Discuss.                                            16
Or
(b) Comment on the significance of the Porter scene (II. Iii) in Macbeth.                   16

7. Explain the following with reference to the context. (Word Limit 350 words)                      9x2
a)      Then yield thee, coward,
And live to be the show and gaze o’th’time:
We’ll have thee, as our rarer monsters are,
Painted upon a pole, and underwit,
‘Here may you see the tyrant.’
Or
b)      Had he not resembled
My father as he slep’t of had done’t
c)       Zounds sirrah! The lady shall be as ugly as I choose : she shall have a hump on each shoulder; she shall be crooked as the Crescent; her one eye shall roll like the Bull’s in Cox’s Museum.
 Or
d)      O, there’s nothing to be hope for from her! She’s as headstrong as an allegory on the banks of Nile.


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Friday, 23 September 2016

C.U. English Honours Part-I Question Paper 2016 [Second Paper]

For the First Time On Internet you are going to get all the question papers for C.U. English Honours Course on a website. We have designed a remarkable product for the Calcutta University English Honours students called Wise Notes and it brings a wide number of answers to the questions usually asked in the Calcutta University examinations. Don't forget to scroll down to know more about the Wise Notes.


2016
ENGLISH-HONOURS
Second Paper
Full Marks-100

The figures in the margin indicate full marks.
Candidates are required to give their answers in their own words as far as practicable.

Group-A
1. Answer any one question of the following (in 500 words):                                                               14X1
(a) Critically analyse the theme and the title of Donne’s “The Good Morrow”.
(b) Examine Blake’s use of symbols in “The Lamb” and “The Tyger”.

Group-B
2. Answer any two questions of the following (each within 500 words):                                          14X2
(a) Comment on the personal elements in Wordsworth’s “Tintern Abbey”.
(b) What supernatural features does one find in Coleridge’s “Kubla Khan”.
 (c)Comment on the Romantic elements in Shelly’s poem “To A Skylark”.
(d)  How does Keats combine the natural, animal and human worlds in his poem “To Autumn”?

 3. Explain any one of the following with reference to the context (each in 250 words):                   8X1
(a) And yonder all before us lie
      Deserts of vast eternity.

 (b) Be thou, Spirit fierce,
       ‘My spirit ! be thou me impetous one !
        Drive my dead thoughts over the universe
         Like wither’d leaves...........


Group-C
4. Answer any one question of the following (in 500 words):                                                            14X1
(a) Attempt a critical appreciation of Shakespeare’s Sonnet No. 130.
(b) Show how Shakespeare deals with the theme of rejection in “Sonnet No. 87”.

Group-D
5.  Answer any one question of the following (in 500 words):                                                            14X1
(a) Write a note on the epic conventions in Paradise Lost, Book I.
 (b) Examine Milton’s art of characterization with special reference to either Satan or Beelzebub.

Group- E
6. Answer any one question of the following (in 450 words):                                                                 14x1
(a) How does Pope portray Belinda in his poem “The Rape of the Lock”?
(b) Evaluate Pope’s Rapeof the Lock as a mock-heroic poem.

Group-F
7. Write notes (in around 150 words)on any two of the following literary terms:                              4x2
        i.            Horeetian Ode
      ii.            Conceit
    iii.            Imagery
     iv.            Refrain

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Thursday, 15 September 2016

C.U. English Honours Part-I Question Paper 2016 [First Paper]

For the First Time On Internet you are going to get all the question papers for C.U. English Honours Course on a website. We have designed a remarkable product for the Calcutta University English Honours students called Wise Notes and it brings a wide number of answers to the questions usually asked in the Calcutta University examinations. Don't forget to scroll down to know more about the Wise Notes.


2016
ENGLISH-HONOURS
First Paper
Full Marks-100
The figures in the margin indicate full marks.
Candidates are required to give their answers in their own words as far as practicable.
Three questions will have to be answered (one question of 16 marks and two questions of 7 marks each) taking only one from each section. Examinees are not allowed to answer twice from the same section.
Group-A
(O.E. Period- 1750)
Section-1
1. Assess Chaucer contribution to the development of English literature.                                               16
2. Write short notes on the following (each in 250 words):                                                                          7X2
(a) Anglo-Saxon Chronicles
(b) Caedmon
Section-2
3. Is it fair to say that Jacobean drama was a decadent form of Elizabethan drama? Discuss with special reference to any two Jacobean playwrights.                                                                               16
4. Write short notes on the following (each in 250 words):                             7X2
(a) Amoretta
(b) Andrew Marvell
Section-3
5. Give an account of 18th century periodical essays, focusing on any two authors.                  16
6. Write short notes on the following (each in 250 words):                             7X2
(a) Hudibrass
(b) Laurence Sterne

Group-B
(1750-2000)
Three questions will have to be answered (one question of 16 marks and two questions of 7 marks each) taking only one from each section. Examinees are not allowed to answer twice from the same section.
Section-1
7. Write an essay on the features of the Romantic Revival with special reference to any two poets.
8. Write short notes on the following (each in 250 words):                             7X2
(a) Kenilworth
(b) Thomas Grey
Section-2
9. Give an account of Victorian non-fiction prose literature with special reference to any two authors.                                                                                                                                 16
10. Write short notes on the following (each in 250 words):                             7X2
(a) Oscar Wilde
(b) In Memoriam
Section-3
11. Give an account of English poetry between the two World War.                                                                                                                                                                                                                       
12. Write short notes on the following (each in 250 words):                             7X2
(a) D.H. Lawrence
(b) Murder in the Cathedral
PHILOLOGY
Group-A
13. Answer any one of the following (in 450 words):
(a) Assess the role of the Scandinavian influence in shaping the English language.                                                                                  
(b) Examining the consequence of the Battle of Hastings (1066) for the English language.                                                                                                                                               
Group-B
14. Write word notes on any four:                                                                                                                 2X4
Island, bishop, egg, spinster, dream, picture, burgle, vixen.
Group- C
15. Answer any one of the following (in 450 words):
(a) Discuss any two regular processes whereby native resources are utilized to form new words in English.
 (b) Examine the differences between British English and American English.
Group-D
16.  Answer any one of the following (in 300 words):
(a) Comment on Shakespeare as a ‘maker’ of the English Language.                                           8
(b) Explain Grimm ’s Law with examples.                                                                                                8
 (c) Examine how translations of the Bible have enriched the English language.                                 8           


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Friday, 10 June 2016

Summary Study Material for Mayor of Casterbridge : C.U. English Honours

We has collected both of these notes from various sources on the internet. It will help you in writing about the Mayor of Casterbridge short notes for the examinations.

Tips for writing short notes.
1. Make sure your short note doesn't exceed 275 or at the maximum 300 words.
2. You should first talk about the writer and year of publication followed by a little synopsis of the work.
3. Do not ever write the whole story of the book.
4. Write the basic plot of the story, its significance and wrap your answer.


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The Mayor of Casterbridge Study Guide
In June of 1883, Thomas Hardy and his wife Emma settled into their new home in Dorchester. The Hardys had spent the last few years traveling about England, although they wanted to settle down and perhaps begin a family. Finally, Hardy and Emma decided to return to Dorchester. This town, located only a few miles from his birthplace of Upper Bockhampton, was long important to Hardy--he attended school there in his youth, and later he was apprenticed as a young architect there.
Now Hardy had returned home, and he was there to stay, as he proved through his attempts to become part of the town. He quickly built his home, Max Gate, in town. He also became interested in the issues important to the townspeople, such as the status of the laborers. He eagerly read historical records from the area, savoring the "really valuable and curious" Records of the Town of Weymouth. Despite his efforts to return to the community, however, Hardy's first love was his writing. Although he had written various short stories, he had not written a new novel in three years. Hardy had long wanted to write a novel that combined his love of history with his love of Dorsetshire. In addition, he wanted to capitalize on the success of the Wessex setting from his earlier novels. His desire to immerse himself in the history of the region led him to examine the files of the Dorsetshire County Chronicle in the spring of 1884. In these files, he found an article describing the sale of a wife by an auction. The article about the wife-sale provided him with a spectacular situation for his characters.
After spending several weeks immersed in research, Hardy began to write the novel that would become The Mayor of Casterbridge in the summer of 1884. He wrote it in bursts, constantly writing and putting it aside until he finally completed the novel on April 17, 1885. The literary magazine Graphic agreed to publish the novel serially, although with misgivings. The publishers wanted to see everything before it was published, since Hardy was known for his ability to offend everyone, even atheists. Hardy felt so constrained by the Graphic's demands that he alluded to their heavy-handed treatment in the courtroom scene: Stubberd substitutes all the curse words with letters, to the annoyance of the court. Nevertheless, Hardy's novel eventually began its serialization on January 2, 1886. On May 10 of the same year, The Mayor of Casterbridge was published in two volumes. Although the critics loved Hardy's realism and poetic style, most agreed that the novel was too improbable and too shocking--opinions that would only increase as Hardy continued to write novels.
The Mayor of Castrbridge is set in the county of Wessex, a land that has relied on the beliefs of the farming folk for centuries. Because the farmers are more connected to the land, they follow a more primal religion, based on the changing of the seasons and the forces of Nature. One of the forces of nature is cruel Fate, that "sinister intelligence bent upon punishing" which stops at nothing to keep things from being "as you wish it." This fate usually works through two channels: chance and irony. Chance often brings chraracters: Farfrae and Lucetta are brought to Casterbridge quite unexpectedly, but their arrivals ruin the lives of the Henchards. Irony works upon the people who are already there, making the best laid plans go awry. Just as Michael convinces Elizabeth-Jane that she is his daughter, he finds the note from Susan that tells the truth. Nature also serves to assist Fate--the harvest weather is bad until Michael buys all the ruined grain at high prices and cannot sell it back. With the actions of a primal and unchanging world working against the weak human, life becomes a series of pains, punctuated only by flashes of happiness.
Yet it is not completely the whims of fate that bring the characters to their downfall. When The Mayor of Casterbridge was first published in serial form, Hardy wrote, "It is not improbabilities of incident but improbabilities of character that matter." This is the basic theme of the novel, which has the additional title, "The Story of a Man of Character." Fate may create the situations for the characters, but in the end their personalities determine how they will react. Michael gains a true confidant in Farfrae, but his quick temper and mercurial ways only serve to push the young man away. Michael's pride keeps him from confessing whatever secret he has at the time. Lucetta's reckless nature causes her to do dangerous things for love. The gossiping nature of the townspeople is responsible for the skimmity ride that kills Lucetta, and the gossip that ruins Michael's career. Even Elizabeth-Jane's prudishness pushes Michael away for the first and last time. Character is just as responsible for the foibles of mankind as Fate is.
The Mayor of Casterbridge is a tragedy, in the tradition of the Greek tragedies and the plays Othello and King Lear. However, the novel still ends with a hope for humanity. The belief that fate is to blame is a tool of the past, of the superstitious farmers such as the townspeople. When Michael believes that fate is destroying him, his problems continue. Only when Michael looks into the future by casting off old beliefs is he able to change. When he sacrifices duty for love of Elizabeth-Jane, he becomes more aware of his feelings as an individual. That is humaity's only way to escape the pain of life: by relying on present instead of past, character instead of fate, the individual instead of the multitude.


Book Summary
In a fit of drunken irritation, Michael Henchard, a young, unemployed hay-trusser, sells his wife Susan and his infant daughter Elizabeth-Jane to a sailor during a fair in the village of Weydon-Priors. Eighteen years later, Susan and Elizabeth-Jane return to seek him out but are told by the "furmity woman," the old hag whose concoction had made Henchard drunk at the fair, that he has moved to the distant town of Casterbridge. The sailor has been reported lost at sea.
Susan and Elizabeth-Jane, the latter innocent of the shameful sale eighteen years before, reach Casterbridge, where they discover that Henchard has become the mayor and one of the wealthiest businessmen in the area. Henchard, out of a sense of guilt, courts Susan in a respectable manner and soon after remarries her, hoping that one day be will be able to acknowledge Elizabeth-Jane as his daughter. Concurrently with Susan's return, Henchard hires Donald Farfrae, a young Scotsman, as his business manager. After a short while, Susan dies, and Henchard learns that his own daughter had died many years earlier and that Elizabeth-Jane is really the illegitimate daughter of Newson, the sailor, Susan's second "husband."
Lucetta Templeman, a young woman from Jersey with whom Henchard has had a romantic involvement, comes to Casterbridge with the intention of marrying Henchard. She meets Farfrae, however, and the two are deeply attracted to each other. Henchard, disturbed by Farfrae's prestige in the town, has dismissed him, and Farfrae sets up his own rival business. Shortly after, Farfrae and Lucetta are married.
Henchard's fortunes continue their decline while Farfrae's advance. When Henchard's successor as mayor dies suddenly, Farfrae becomes mayor. Henchard's ruin is almost completed when the "furmity woman" is arrested as a vagrant in Casterbridge and reveals the transaction two decades earlier when Henchard sold his wife. Then, by a combination of bad luck and mismanagement, Henchard goes bankrupt and is forced to make his living as an employee of Farfrae's.
Lucetta, now at the height of her fortunes, has staked everything on keeping her past relationship with Henchard a secret. Her old love letters to him, however, find their way into the hands of Henchard's vengeful ex-employee, Jopp, who reveals them to the worst element in the town. They organize a "skimmity-ride," in which Henchard and Lucetta are paraded in effigy through the streets. The shock of the scandal kills Lucetta.
Now an almost broken man, Henchard moves to the poorest quarters, where his life is made tolerable only by Elizabeth-Jane's kindness and concern. Even his comfort in her affection is threatened, however, when Newson, the sailor, returns in search of his daughter. Henchard's lie to Newson that Elizabeth-Jane has died is eventually discovered, and Elizabeth-Jane, his last source of comfort, turns against him.
Farfrae, after a period as a widower, renews his interest in Elizabeth-Jane. They are married and Henchard, when he comes to deliver a wedding gift, finds Newson enjoying his position as the bride's father. Heartbroken, Henchard leaves and shortly afterwards dies in an abandoned hut, attended only by the humblest and simplest of his former workmen. The novel closes when Farfrae and Elizabeth-Jane find the place where he has died and read his terrible will of complete renunciation.


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