C.U. English Honours PART-II Question Paper 2011 [Fourth Paper]

Posted by Allan on 22:53
2011

ENGLISH-HONOURS
Fourth Paper

Full Marks-100

The figures in the margin indicate full marks.
Candidates are required to give their answers in their own words as far as practicable.

Group-A
Answer any two questions:                                                                                                                         16 x 2
1. (a) Comment on the use of irony in Pride and Prejudice.
Or
(b) Examine any two comic characters in Pride and Prejudice.

2. (a) Jane’s actions embody a disturbing powerful statement of woman’s claim to independence. Do you agree? Give reasons for your answer.
Or
(b) Would you consider Jane Eyre as a Gothic novel? Answer with reference to the text.

3. (a) Comment on the Dickens’ portrayal of Brownlow and Nancy in Olive Twist.
Or
(b) Consider Oliver Twist as a social document of its time.

4. (a) Critically examine Hardy’s portrayal of Clym Yeobright in The Return of the Native.
Or
(b)Comment on the view that true subject of the novel, The Return of the Native, is the background, Edgon Heath.

5. (a) Examine the mother-son relationship in Sons and Lovers.
Or
(b) Consider Sons and Lovers as a modern novel.

Group-B
Answer any two of the following questions:                                                                                       16 x 2
6. Araby is realistic story about the adolescence. Do you agree with this view? Answer with reference to the text.
7. Analyse the theme of pain and suffering in The Ox.
8. Is The Fly a successful short story? Give reasons to your answer.

Group-C
9. Comment on any four of the following literary terms:                                                                         4 x 4
a.       Picaresque Novel
b.      Third Person Narrative
c.       Setting
d.      Theme
e.      Character
f.        Sub-Plot
g.       Naturalism
h.      Historical Novel

Group-D
10. Give the substance of any one of the following and add a short critical note:                           15 + 5

a)      The novel’s spirit is the spirit of complexity. Every novel says to the reader: “Things are not as simple as you think”. That is the novel’s eternal truth, but it grows steadily harder to hear amid the din of easy, quick answers that come faster than the question and block it off.  In the spirit of our time, it’s either Anna or Karenin who is right, and the ancient wisdom of the Cervantes, telling us about the difficulty of knowing and the elusiveness of truth, seems cumbersome and useless.
The novel’s spirit is the spirit of continuity: each work is an answer to preceding ones, each work contains all the previous experience of the novel. But spirit of our time is firmly focused on a present that is so expansive and profuse that it shoves the past off our horizon and reduces time to the present moment only. Within this system the novel is no longer a work (a thing made to last, to connect the past with the future)but one current event among many, a gesture with no tomorrow.

b)       When I have seen by Time’s fell hand defaced
The rich proud cost of outworn buried age;
When sometime lofty towers I see down razed,
 and brass eternal slave to mortal rage;
When I have seen the hungary ocean gain
Advantage on the Kingdom of the shore.
And the firm soil win of the watery main.
Increasing store with loss, and loss with store;
When I have seen such interchanging of the state,
Or state itself confounded to decay.
Ruin hath taught me this to ruminate:
That Time will come and take my love away,
This Thought is as death, which cannot choose
But weep to have that which it fears to lose.

      
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